Competition Entry for Bispevika Development in Norway / PUSHAK

Competition Entry for Bispevika Development in Norway / PUSHAK:

Aerial - Rendering by MIR

The Bispevika mixed-use development proposal by PUSHAK maximizes the views of the harbor and integrates passive design methods to minimize energy use. The proposal is part of an invited competition that will conclude in January 2012.

Architects: PUSHAK
Client: HAV Eiendom
Location: Bispevika, , Norway
Project Size: 35000 sqm
Project Status: Invited Competition Entry

Continue reading for more project details.

View Framed by Courts - Courtesy of Pushak

proposes a 35000 square meter social hub on a former brown-field site in a Oslo harbor. Each mixed-use building opens up to the harbor and frames the view of the “species-rich” islands. The buildings wrap around a wooden terraced courtyards, providing play spaces and introducing the island-like nature into the site.

Site Plan - Courtesy of Pushak

In order to satisfy code, 10 percent of the seawater will be treated in three floating basins, separating the courtyard from the public promenade. Due to the low water quality, the basins can be both closed and partially closed, allowing control of the water circulation. The basins will also be used by local restaurants for oyster, lobster and seaweed farming.

Section - Courtesy of Pushak

Passive solar heating is made possible with the geometry of the structure while a compact building strategy minimizes heat loss. The courts allow for natural ventilation in the summer and shield cold winds in the winter. Solar energy, seawater-based heat pumps and sustainable district water heating is also proposed.

Courtesy of Pushak

Nearly all units have a private balcony or terrace. Semi-public pavilions further buffer the boundary of public and private while creating pleasant outdoor spaces. Common rooftop terraces provide all residences access to the ultimate views.

PUSHAK_Bispevika_001 Aerial - Rendering by MIR PUSHAK_Bispevika_002 Site Plan - Courtesy of Pushak PUSHAK_Bispevika_003 Section - Courtesy of Pushak PUSHAK_Bispevika_004 Section - Courtesy of Pushak PUSHAK_Bispevika_005 Plan - Courtesy of Pushak PUSHAK_Bispevika_006 Southern Block and Promenade - Courtesy of Pushak PUSHAK_Bispevika_007 Crescent Street meets the Harbor - Courtesy of Pushak PUSHAK_Bispevika_008 Inside Court - Courtesy of Pushak PUSHAK_Bispevika_009 View Framed by Courts - Courtesy of Pushak PUSHAK_Bispevika_010 Nature meets City - Courtesy of Pushak PUSHAK_Bispevika_011 Ecology of the Islands - Courtesy of Pushak PUSHAK_Bispevika_012 Wind Conditions - Courtesy of Pushak PUSHAK_Bispevika_013 Solar Envelope, Subdivisions, Courts - Courtesy of Pushak PUSHAK_Bispevika_014 Courtesy of Pushak PUSHAK_Bispevika_015 Courtesy of Pushak PUSHAK_Bispevika_016 Courtesy of Pushak

Hansha Reflection House / Studio SKLIM

Hansha Reflection House / Studio SKLIM:

© Jeremy San

Architects: Studio SKLIM
Location: Nagoya, Japan
Project Year: 2011
Project Area: 124 sqm
Photographs: Jeremy San

In Greek mythology, Narcissus looked into the lake to admire his beauty. But what if the lake was animate and looking at its own reflection in Narcissus eyes?

Site Plan

Situated at the entrance of Misakimizube Koen, one of the picturesque parks fronting a lake and flanked by Sakura trees, the house was conceived to be an object with the environment. The programmatic zones of Public, Service and Private spatially organized the house into 3 distinct zones with further punctuation of the main massing with the Landscape element; providing spaces for the courtyard and roof deck. This base form was further chiseled with structure, daylight/ventilation and viewpoint concerns.

Section

65% of low rise Japanese houses are constructed out of timber, a material that has the strongest weight to strength ratio amongst other building materials like concrete and steel. Using timber from a renewable source, coupled with building technology that utilized a hybrid of traditional mortise and tenon joint system with steel bracketing, this house was able to push the ubiquitous “boxed” building envelope for timber residential construction in Japan.

© Jeremy San

The solution to push the Public program to the upper level was obvious with the need to accommodate parking for 3 cars. In addition, this offered an elevated scenic view of the park by having living/dining/kitchen at the second level. The extensive 3.2 m wooden cantilever was unusual with the norm capped at 1.5 m. The initial structural concept of using a truss floor progressed to the final structural solution; using an elegant inspiration from bridge construction and book shelf bracketing. Further reinforcement of the structure was made in the courtyard wall to reduce eccentricity of built form and thus lateral movements during earthquakes.

© Jeremy San

The outer form reflected the inner structure of the building, creating opportunities for expression of inclined surfaces. These further expressed their responses to rainwater drainage and the sublime reflection of the surrounding landscape. In order to bring views of the exterior Sakura into the dining space, an asymmetrical window ledge was purposefully built, providing a material continuity from exterior to interior and framing the picturesque view.

Floor Plan

The idea of “Reflection” was multifarious and became a series of unfolded meanings; exterior reflection of surrounding, interior reflection of surroundings, introspective reflection spaces and reflection of the house structure.

© Jeremy San

The landscape falls into three areas, the front yard, the courtyard and the roof deck. The front yard accommodates parking for three cars and becomes the entrance frame for the house. The connecting tissue to the park relies on the structurally evolved facade that visually associates with it and uses similar ground paving material. The courtyard, an intimate private garden forms part of the environmental funnel to dissipate hot air during summer. This space further anchors the master bedroom, 1-tatami introspective room, and double volume library. The roof deck, the pinnacle of the house further heighten one’s sense of place with its surroundings and provides the perfect viewing platform for both Hanami (Sakura) and Hanabi (Fireworks) festivals.

Roof Plan

Hansha Reflection House condenses the energies on site to formulate a dwelling that looks back at the surroundings with a slight twist.

© Jeremy San

Text provided by

Hansha Reflection House / Studio SKLIM (15) © Jeremy San Hansha Reflection House / Studio SKLIM (1) © Jeremy San Hansha Reflection House / Studio SKLIM (2) © Jeremy San Hansha Reflection House / Studio SKLIM (3) © Jeremy San Hansha Reflection House / Studio SKLIM (4) © Jeremy San Hansha Reflection House / Studio SKLIM (5) © Jeremy San Hansha Reflection House / Studio SKLIM (6) © Jeremy San Hansha Reflection House / Studio SKLIM (7) © Jeremy San Hansha Reflection House / Studio SKLIM (8) © Jeremy San Hansha Reflection House / Studio SKLIM (9) © Jeremy San Hansha Reflection House / Studio SKLIM (10) © Jeremy San Hansha Reflection House / Studio SKLIM (11) © Jeremy San Hansha Reflection House / Studio SKLIM (12) © Jeremy San Hansha Reflection House / Studio SKLIM (13) © Jeremy San Hansha Reflection House / Studio SKLIM (14) © Jeremy San Hansha Reflection House / Studio SKLIM (16) © Jeremy San Hansha Reflection House / Studio SKLIM (17) © Jeremy San Hansha Reflection House / Studio SKLIM (18) © Jeremy San Hansha Reflection House / Studio SKLIM (19) © Jeremy San Model Details Model Details Model Model Model Model Model Model Site Plan Site Plan Roof Plan Roof Plan Floor Plan Floor Plan Floor Plan Floor Plan Section Section Diagram Diagram Diagrams Diagrams