Showing posts with label Interior. Show all posts
Showing posts with label Interior. Show all posts

Slowpoke Cafe by Sasufi

Slowpoke Cafe by Sasufi: "

Slowpoke by Sasufi


This Melbourne cafe by French designer Sasufi features a 12 metre-long wall covered in timber offcuts.


Slowpoke Cafe by Sasufi


Tabletops at the Slowpoke Cafe are made from recycling floorboards and other furniture was sourced from local flea markets.


Slowpoke Cafe by Sasufi


Wider blocks protruding from the wooden wall above each table create shelves for condiments.


Slowpoke Cafe by Sasufi


More stories about cafes on Dezeen »


Slowpoke Cafe by Sasufi


The following information is from Sasufi:




Slowpoke Cafe by Sasufi


Anne-Sophie Poirier is a French born and Melbourne based designer working under the name of Sasufi. She has recently completed the interior design and identity for Slowpoke Espresso, a café located in one of Melbourne’s most popular suburb, Fitzroy.


Slowpoke Cafe by Sasufi


The budget being very small, it was a challenge to give the space a cozy feel and a strong identity while not having much money to do so.


Slowpoke Cafe by Sasufi


The 12 meters long feature wall was created from timber offcuts collected from a variety of local furniture makers who use recycled timber themselves.


Slowpoke Cafe by Sasufi


The variety of timbers species enhances the depth and warmth of the wall, giving a homely feel to the room.


Slowpoke Cafe by Sasufi


The clean white walls also give the timber elements more prominence in the space.


Slowpoke Cafe by Sasufi


Every so often a shelf comes out of the wall to display sugar bowls and salt above the tables.


Slowpoke Cafe by Sasufi


Most building materials (tiles, lamp shades, street sign etc…) were gathered from local flea markets.


Slowpoke Cafe by Sasufi


The tables are made of recycled timber floors.


Slowpoke Cafe by Sasufi


The sign is lite from the inside by a torch lamp that is charged by a connected solar panel sitting on the top of the recycled wooden tool box.


Slowpoke Cafe by Sasufi


The business cards are made from recycled packaging cardboards, hand cut and then stamped.


Slowpoke Cafe by Sasufi


The café serves quality organic food and coffee with a smile.


Slowpoke Cafe by Sasufi




See also:


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Bogota Tourist Information Spots / Juan Melo

Bogota Tourist Information Spots / Juan Melo: "

© Gustav Arvidsson

Architects: Juan Melo
Location: Bogota,
Client: Instituto Distrital de Turismo Bogotá + ETB
Construction: Consorcio Inmetsa
Project year: 2010
Photographs: Gustav Arvidsson

© Gustav Arvidsson

This project was designed as part of a series of tourist information spots owned by the IDT (Tourism District Institute) and constructed during the past two years, with the cooperation of several government agencies.

© Gustav Arvidsson

The new tourist information spots promoted by the city government are located in several locations within Bogotá and aim to provide information and communication services for both tourists and locals. Each spot is expected to hold several computers for internet access, telephones, an interactive screen and an information counter within a small area. In the two specific structures designed by Juan Melo and Camilo Delgadillo, outdoor spaces were chosen for their location, representing a special opportunity for exploring the relationship between interior and exterior.

© Gustav Arvidsson

The design concept relies on evaluating the specific conditions for each spot, thus avoiding the idea of a single universal design suitable for all locations. Through variation in their geometry, their section plan and internal distribution the structures are clearly integrated in their surroundings and take advantage of the outdoor space without becoming an obstacle.

© Gustav Arvidsson

The Chile Avenue structure was conceived as four modular pieces easily put together. The back wall and its surroundings called for a more introspective space. In the case of the Hacienda Santa Bárbara spot a thinner structure was required due to its reduced space lot. The outside vegetation is framed with a horizontal and continuous window and some explorations in its section plan were made, providing an escalated platform to create a higher contrast between the exterior and interior areas.

floor plan 01

Although the spots do not respond to a serial design, standard materials and colors are used in order to unify their identity. Teak , steel and glass provide an easily adaptable sober and elegant composition. Both structures are required to be extremely open platforms while functioning and hermetic containers when closed. A sliding wooden pivot door system was developed permitting the required spatial transformation and creating a compact and uniform appearance when the container is closed.

section 01

These tourist information spots are an innovative urban mobiliary typology. Their highly accessible interior spaces invite pedestrians to make quick and comfortable informative stops.

Bogota Tourist Information Spots / Juan Melo © Gustav Arvidsson Bogota Tourist Information Spots / Juan Melo © Gustav Arvidsson Bogota Tourist Information Spots / Juan Melo © Gustav Arvidsson Bogota Tourist Information Spots / Juan Melo © Gustav Arvidsson Bogota Tourist Information Spots / Juan Melo © Gustav Arvidsson Bogota Tourist Information Spots / Juan Melo © Gustav Arvidsson Bogota Tourist Information Spots / Juan Melo © Gustav Arvidsson Bogota Tourist Information Spots / Juan Melo © Gustav Arvidsson Bogota Tourist Information Spots / Juan Melo © Gustav Arvidsson Bogota Tourist Information Spots / Juan Melo © Gustav Arvidsson floor plan 01 floor plan 01 floor plan 02 floor plan 02 elevation 01 elevation 01 elevation 02 elevation 02 section 01 section 01 section 02 section 02 section plan section plan front view closed front view closed



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Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects

Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects: "

© Timothy Hursley

The site of the new school of architecture is at the western edge of The Ohio State University’s old campus, close to the river and the football stadium, at the happily congested corner of West Woodruff Avenue and Tuttle Park Place. Bounded by raw concrete parking garages to the south and the staid red brick of the business school to the north, laboratory buildings to the east and the emptiness of the stadium parking lot to the west, edged and crossed by major campus pedestrian thoroughfares, the site is a dynamic zone, capable of sustaining a connective architecture and landscape and an inclusive urban form.

Architect: Mack Scogin Merrill Elam Architects
Location: The State University, Columbus, ,
Project Team: Robert S. Livesey (Director of Austin E. Knowlton School of Architecture), Jill Morelli (University Architect), Scott Conlon (Senior Project Manager), Mack Scogin (Principal), Merrill Elam (Principal), David Yocum (Project Architect), Brian Bell, John Trefry, Penn Ruderman, Barnum Tiller, Cecilia Tham, Jeffrey Collins, Kevin Gotsch, Margaret Fletcher
Associate Architect: WSA Studio
Associate Architect Team: Bob Wandel (Principal in Charge), Cissy Wong (Project Architect), Alan Sulser, Ivan Amy, Lannetta Vader, Yanitza Brongers, Kristen Poldemann
Interior Furnishings: Suzanne Toney, Amy Dupler
Landscape Architect: Michael Van Valkenburgh Associates, Inc.
Landscape Architect Team: Michael Van Valkenburgh (Principal), Matt Urbanski (Principal), Laura Solano, Gullivar Shepard, Brian Bare, Jennifer Pindyck
Project Area: 176,000 sqf
Photographs: Timothy Hursley, Matthew Carbone

© Timothy Hursley

Asserting the belief that a school of architecture has a commitment to teach by example to both students within and the community at large, the architectural form and urban positioning of the new school is strategically active and interactive. The facades of the adjacent buildings are the spatial boundaries of the site of the school. The building form is generated by enclosing, defining, and confronting the spaces and existing buildings of this larger site. A sculpted green space between the school and the business school campus to the north modulates both the mess and vitality of the roadway and pedestrian activity. Studios overlook the newly captured spaces. Students are in the midst of the urban activity which they will study and will eventually help form and influence.

section

At the main entrance, the vertical circulation path begins. An inclined plane system moves up and through the building, passing studios and review spaces along the way. Faculty offices are placed along circulation patterns, visually accessible from the studios and intimately linked with the daily work of the students.

© Matthew Carbone

The final event along the vertical path through the school is the library, a 30,000 volume collection with reading room and reference areas. The roof garden of the library extends out and over the forecourt below, bringing the inclined plane to its conclusion above its starting point. At night the glass clad library is a lantern signaling the glorious history of architecture and the discipline of architecture as an intellectual pursuit.

© Matthew Carbone

In addition to the forty-five studios, sixty-five offices, an auditorium and library, program areas of the school include a woodshop, café, digital imaging facilities, computer laboratories, classrooms, an archive, and an exhibition gallery.

© Timothy Hursley

Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Matthew Carbone Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley Austin E. Knowlton School of Architecture / Mack Scogin Merrill Elam Architects © Timothy Hursley plan plan plan plan plan plan plan plan plan plan plan plan section section section section section section section section ramps and planes ramps and planes site site sight lines sight lines